What do 'Ferrari,' 'Killers of the Flower Moon' and 'Napoleon' all have in common? Their directors are male octogenarians. Do they feel like the work of men in their 80s? Yes they do. But what does that mean?
If the greatest trick the Devil ever pulled was convincing the world he didn’t exist, Hollywood’s greatest trick was convincing the world of the godlike status of directors.
The Old Guard: How Hollywood Became a Country for Old Men – Movies – Haaretz
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